Thats a Wrap for team PB on what has been a very busy year for the company.
A big thanks to all the Cast, Stunts and Supporting actors who have attended our Bootcamps across the globe this year, and we look forward to seeing you all for what already is shaping up to be a busy 2026.
Here are a few snap shots from this years released work with a few teasers thrown in.
Happy Christmas and a prosperous New year from the team. See you on set in 2026.
Since starting my journey in the film industry, 2014. I never thought I would end up working on such a production as Gladiator 2. The sets were the biggest the team or I had ever worked on.
Every day walking on set in Malta and looking at the Colosseum getter larger as we walked towards it, was an unforgettable experience, and to be able to hold a bootcamp in the Colosseum is never going to be beaten.
A big thanks to my “amazing” team who throughout this production conducted :
– Training & Delivery of more than 10 military style bootcamps in 3 countries & 2 continents with multinational military & civilian supporting artists in extreme conditions.
– Working at an extremely fast pace with excellent professionals both in front and behind the camera.
From Morocco to Malta then to finish in the UK, over an 8 month period of time this had it all, Blood, sweat & tears, hard work, passion and desire to get the job done.
A special thanks to Sir Ridley Scott for trusting me to deliver the goods.
“Strength & honour”
Camp Morocco.
Team flew to Ouarazate in Morocco working at Altas Studios Which is considered to be the larges studios in the world.
The Moroccan Armed forces provided the bulk of the Supporting artists. The team first go to work selecting the right people for the job by running our famous team PB bootcamp selection test days. Its quite simple. To earn a place on our bootcamp you need to demonstrate you have the right metal attitude and physical dexterity to work on a large scale production. If one man out of 500 can not keep up with the pack during a shoot, the whole shot can be ruined.
Once The selection is done we start with basic marching, Formations and tactics required for the scenes. In total 500 Supporting artists are trained. With all bootcamps overseas there will be language and culteral considerations. April is one of the driest months with tempatures ranging from 75 to 95 fahrenheit, dust storms in the afternoon and the majory of the supporting artists nearing the end of Ramadan 12th March to 10th April.
Week one 250 men split into three Company Groups.
Week 2 another 250 men.
Week three the best 300 with advance training in archery and artilery.
JOB DONE ON PHASE ONE.
Camp Malta.
The team then travelled to Malta.
To do it all again hundres of supporting artists put through their paces in order to get them match fit and ready for Ridley.
The AD Team with James looking a tad stressed at the start of Malta.
The Circle of Death.
Mission. Select and train supporting artists in the role of Praetorian guards. They’re to March out of the shadows and form a circle within the arena without any markers.
This was an important scene, and one Ridley wanted to get right in as little time as possible.
With 12 cameras watching, there was no room for mistakes.
Here’s the problem. The Colosseum is not a perfect circle. It is more an oval shape, and only 3/4 of the structure was built.
The SAs needed to make sure they did not overstep and potentially overtake the main cast Paul Mescal, who would walk out to take his place in the arena. This meant paul would also need to make sure his pace was fast enough so as not to hold the SAs up for the scene to work.
Solution. Tallest guys at the furthest end. The Shortest at the Shortest section.
We started the training using sports markers, which we paced out to make an exact circle with the centre at the spot where the carriage would land.
Over time, we reduced the markers until each SA knew his mark without the need for them.
Each would count 12 paces on the left foot. With the shortest guys marking time for the first four paces before moving forward.
That way, everyone would meet in the circle at the same time. If you watch carefully, you will notice the pause in them moving forward.
The plan worked, and Ridley got his shot first time round, and the team got the Ridley thumbs up. (They don’t get dished out likely)
Then the writers and actors strikes it us, so the production went into Hiatus for a few months with a movie only half way filmed.
Once back up and running. More bootcamps for the new and to remind the old guard.
THE PEGASUS CONNECTION.
One of the perks of the job is to get something in from my old regiment inseted into a scene. Not always possible mainly due to copyright clearances of cap badges, and for Gladiator being set a few years before the birth of the Parachute Regiment, quite a feat, but managed it for Gladiator 2.
After some research I managed to find out the Third Augustan Legion in North Africa, used the Pegasus as their standard. So I convinced props and Ridley to use it for the opening battle, it stayed as the main standard through the movie.
Although slightly different from the Roman version The Pegasus was Introduced during the Second World War and recognised as a symbol of British Airborne Forces for many years.
I manaaged to get it in the The Day of the Jackal, but thats for another blog post.
Two former members of the Parachute Regiment and friends’ who live in Malta, Phil and Dave.
our final bootcamp
Camp Uk.
Then out of the blue a call to shot some additional footage in the UK in a location near Brighton beach. First Training hundres more Supporting artists at Shepperton Studios was required to get them match fit.
Job done.
Thank you to all the Supporting artist for your hard work and commitment.
A few BTS photos and videos from Indiana Jones and the Dial of Destiny preparation. Team PB was approached to provide bootcamps for the opening WW2 scenes and Roman Army scenes.
At the time, Covid 19 protocols were still in force.
A common phrase used during my days as a crow at Depot Para in Aldershot was “Train Hard, Fight easy” and from research, the Romans were no different.
From studying the Roman Army you can see where the British Army adopted its training and doctrine.
The first training objective for all new recruits is how to march as a body of men. The historian Vegetius tells us that it was seen as of greatest importance to the Roman army that its soldiers could march at speed in formation.
Any army which would be split up by stragglers at the back or soldiers trundling along at differing speeds would be vulnerable to attack.
Those who have attended one of my bootcamps will understand why you were required to pass a selection process before being considered.
Fom day one of recruit training the Roman soldier was trained to march in line at the same pace and to keep the army a compact fighting unit on the move.
One of the Romans most famous formations was the Tortoise (testudo). Testudo is the Latin word for “tortoise”.
The soldiers in front and sides interlocked their shields. The soldiers in the back lines placed their shields over their heads to form a protective “shell” over top of the men.
For this, we are told by Vegetius, during the summer months the soldiers were to be marched twenty Roman miles (18.4 miles/29.6 km), which had to be completed in five hours.
In the British Army we call this a TAB Tactical Advance to Battle.
Vegetius mentions running, long and high jump and carrying heavy packs.
During the summer swimming was also a part of training. If their camp was near the sea, a lake or river, every recruit was made to swim.
Next in line, after the training for marching and fitness, came the training of handling weapons. The correc use of the gladius and scutum.
For this they primarily used wickerwork shields and wooden swords. Both the shields and the swords were made to standards which made them twice as heavy as the original weapons. Evidently it was thought, that if a soldier could fight with these heavy dummy weapons, he would be twice as effective with the proper ones.
Train hard, fight easy
Dummy weapons were at first employed against heavy wooden stakes, about six foot high, rather than against fellow soldiers. Against these wooden stakes the soldier trained the various moves, strikes and counter-strikes with the sword.
Only once the recruits was deemed able enough in fighting against the stakes, were they assigned in pairs to train in individual combat.
This more advanced stage of combat training was called armatura, an expression which first was used in the gladiatorial schools, which proves that some of the methods used in training soldiers was indeed borrowed from the training techniques of gladiators.
The weapons used in the armatura were, though still of wood, of the same, or similar weight as the original service weapons.
Weapons training was deemed of such importance that weapons instructors generally received double rations, whereas soldiers who didn’t achieve adequate standards received inferior rations until they had proven in the presence of a high-ranking officer that they had attained the demanded standard. (inferior rations: Vegetius states that their wheat rations were substituted with barley)
After completing the initial training with the sword, the recruit was to master the use of the spear, the pilum. For this the wooden stakes were put to use again as targets. The pilum used for practice was, once again, twice the weight of the regular weapon.
The Modern day army being live firing tests.
Vegetius notes that weapons training was given such importance that in some places roofed riding schools and drill halls were built to allow for training to continue throughout the winter.
Like my time at Depot Para, Physical conditioning and skill at arms was the bread and butter of soldiering. Without getying to grips with them you would not last long or be able to progress forward.
The Roman Army recruits were progressively trained to a high standard as you can see from the following. The British Army are no different.
Roman army training objectives.
Swimming
Jumping
Cutting down trees
Carrying heavy packs
Vaulting onto horses–mounting and dismounting from both the right and the left with their weapons drawn or holding their pila. Wooden horses were used until the recruits became proficient. Then real horses were used
Running in full armor
Digging defensive ditches
Erecting ramparts and palisades
Other camp construction activities
Taking care of equipment
Erecting tents
Giving first aid
British Army training objectives
Attestation (a formal ceremony to join the British Army), kit issue, administration, Drill calling out the time until you pass off the parade square at week 4. weapons training and Exercise Icebreaker (teaching Exercise) – your first night in the field. Exercise first fence.
Military skils aptitude tests.
Drill
Weapons
Tactics
Military Swim Test.
Nuclear and biological warfare
Progressive physical development. Running, upper body conditioning and Tabbing. ( running and fast walking with equipment.
Basic wales
Introduction to blank Firing at section, Platoon and company level.
Training cast how to TAB in South Africa.
Advanced Wales
Bringing it all together with Live Firing at section, Platoon and company level.
My final training test on Salisbury plan 1989 not knowing back then I would be back 30 years later advising on 1917.
Physical tests P company
The Author during his early Basic training day in Depot Para Aldershot.