TEAM PB 2025 WRAP

Thats a Wrap for team PB on what has been a very busy year for the company.

A big thanks to all the Cast, Stunts and Supporting actors who have attended our Bootcamps across the globe this year, and we look forward to seeing you all for what already is shaping up to be a busy 2026.

Here are a few snap shots from this years released work with a few teasers thrown in.

Happy Christmas and a prosperous New year from the team. See you on set in 2026.

Most Dangerous’ Spy’

There are so many true stories from WW2 to be told on the big screen without the need for artistic licence.

One of World War II’s ‘Most Dangerous’ Spy’s was an American woman with a wooden leg who worked for Britain’s Special Operations Executive recruited by non other than Vera Atkins.  Dubbed by the Gestapo as the “the most dangerous of all Allied spies.”… She would later work for OSS…

Virginia Hall, a.k.a. the ‘Limping Lady,’ organized sabotage and rescue operations across Vichy France, paving the way for the Allied invasion. She was America’s Greatest Female Spy.

During World War II, Nazi officials were constantly hunting down resistance fighters and the allied spies who aided them. But there was one foreign operative the Third Reich held special contempt for—a woman responsible for more jailbreaks, sabotage missions and leaks of Nazi troop movements than any spy in France. Her name was Virginia Hall, but the Nazis knew her only as “the limping lady.”

Virginia Hall did walk with a pronounced limp, the result of a freak hunting accident that required the amputation of her left leg below the knee. In its place was an ungainly seven-pound wooden prosthetic that she lovingly nicknamed Cuthbert.

Hall was raised in Baltimore, Maryland by a wealthy and worldly family that put no limits on their daughter’s potential. Athletic, sharp and funny, she was voted “the most original in our class” in her high school yearbook. She began her college studies at Barnard and Radcliffe, but finished them in Paris and Vienna, becoming fluent in French, German and Italian, with a little Russian on the side.After graduation, Hall applied to the U.S. Foreign Service, eager to see the world and serve her country, but was shocked to get a rejection letter reading, in effect, “No women, not going to happen”.

Hall went back to Paris as a civilian in 1940 on the eve of the German invasion. She drove ambulances for the French army and fled to England when France capitulated to the Nazis. At a cocktail party in London, Hall was “railing against Hitler,” says Pearson, when a stranger handed her a business card and said, “If you’re really interested in stopping Hitler, come and see me.”


The woman was none other than Vera Atkins, a British spymaster believed to be  Ian Fleming’s inspiration for Miss Moneypenny in the James Bond series.

Atkins, who recruited agents for Winston Churchill’s newly created Special Operations Executive (SOE), was impressed with Hall’s firsthand knowledge of French countryside, her multi-language fluency and her unflappable moxie.

In 1941, Hall became the SOE’s first female resident agent in France, complete with a fake name and forged papers as an American reporter with the New York Post. She quickly proved exceptionally skilled at not only radioing back information on German troop movements and military posts, but also at recruiting a network of loyal resistance spies in central France.

What 1940s spy craft lacked in technological sophistication, it made up in creativity. The BBC would insert coded messages into its nightly news radio broadcasts. Hall would file “news” stories with her editor in New York embedded with coded missives for her SOE bosses in London.


“In Lyon, Hall would put a potted geranium in her window when there was a pickup to be made,” says Pearson, who spoke to some of Hall’s aging compatriots in France. “And the pickup would be a message behind a loose brick in a particular wall, or it might be go to a certain cafe, and if there’s a message, the bartender would give you a glass with something stuck to the bottom of it.”

Hall became so notorious to Nazi leaders that the Gestapo dubbed her “the most dangerous of all Allied spies.” When Barbie and the Gestapo distributed wanted posters for the “limping lady,” Hall fled the country the only way she could, a grueling 50-mile trek over the Pyrenees mountains southward into Spain. Her Spanish guides first refused to take a woman, let alone an amputee, but she would not be deterred. The November weather was bitter cold and her prosthetic was agonizing.

At a safe house in the mountains, Hall radioed her superiors in London to report that she was OK, but that Cuthbert was giving her trouble. The deadly serious reply from SOE headquarters, which mistook Cuthbert for an informant, read, “If Cuthbert is giving you difficulty, have him eliminated.”

But Hall wasn’t done fighting Nazis. Since the British SOE refused to send her back into France as a marked woman, Hall signed up with the U.S. Office of Strategic Service (OSS), a precursor to the CIA.

In 1944, months before the D-Day invasion at Normandy, Hall rode a British torpedo ship to France, and disguised as a 60-year-old peasant woman, criss-crossed the French countryside organizing sabotage missions against the German army. In one OSS report, Hall’s team was credited with derailing freight trains, blowing up four bridges, killing 150 Nazis and capturing 500 more.

After the war, Hall was awarded the Distinguished Service Cross, one of the highest U.S. military honours for bravery in combat. She was the only woman to receive the award during World War II.

General William Donovan presents Miss Virginia Hall with the Distinguished Service Cross, September 1945.

Back home, she continued to work for the CIA until her mandatory retirement at age 60.

Virginia Hall continued to be honoured for her accomplishments. In 1988, she was inducted into the MI Corps Hall of Fame. The US Army Intelligence Center honored her further by naming a dining facility after her in 1994.

In 2006, the British ambassador presented her niece, Lorna Catling, with a Royal Warrant giving Virginia Hall membership in the Order of the British Empire. The award had been signed by King George VI in 1943, but Hall refused to accept it because it might have blown her cover.

In November 2013, a bill was introduced to Congress “to award the Congressional Gold Medal, collectively, to the members of the OSS in recognition of their superior service and major contributions during World War II.” Hall was specifically mentioned in the bill.. Hall passed away in 1982.

The Day of the Jackal BTS.

Some photos from behind the camera of The Day of the Jackal. This job was and is a personal favourite.

Surveillance training.

Eddie and Lashana were taken through a basic foot and technical surveillance package to help prepare them for their characters.

Sniper training.

We took Eddie to the Bisey range to fire an AT308 with a Schmidt and Bender scope at 1000 metre targets after a morning of intensive theory lessons, followed by applying what he had learned.

Budapest.

MI6 HQ.

Croatia.

Easter Eggs

I always like to stick a bit of Biddiss in there somewhere.

The Phantom.

In my regiment, there was a mysterious being known as the Phantom who would creep in at night amongst the sleeping soldiers and help them with their eyebrows.

So, as an homage to the Phantom, I gave one of the SF 4×4 the callsign prefix Phantom 3.1.

No one ever found out the Phantoms identity.

Duggans army number.

My last for is 5881, and on many shows such as strike back, you might just see it. So I gave it to Duggan. My first report as a recuit in depot para was also used for the scene when duggans recuit repot is read out during a brief at MI6 HQ.

The reception and that Mobile phone.

The show was a great hit and received some attention after the Graham norton show.

Here’s looking forward to season 2.

I think the production was happy with the work we provided.

Link

Gladiator 2 Boot Camps.

Since starting my journey in the film industry, 2014. I never thought I would end up working on such a production as Gladiator 2. The sets were the biggest the team or I had ever worked on.

Every day walking on set in Malta and looking at the Colosseum getter larger as we walked towards it, was an unforgettable experience, and to be able to hold a bootcamp in the Colosseum is never going to be beaten.

A big thanks to my “amazing” team who throughout this production conducted :

– Training & Delivery of more than 10 military style bootcamps in 3 countries & 2 continents with multinational military & civilian supporting artists in extreme conditions.

– Working at an extremely fast pace with excellent professionals both in front and behind the camera.

– Organising, managing & sharing our own humility, humour, experiences & professionalism throughout.

From Morocco to Malta then to finish in the UK, over an 8 month period of time this had it all, Blood, sweat & tears, hard work, passion and desire to get the job done.

A special thanks to Sir Ridley Scott for trusting me to deliver the goods.

“Strength & honour”

Camp Morocco.

Team flew to Ouarazate in Morocco working at Altas Studios Which is considered to be the larges studios in the world.

The Moroccan Armed forces provided the bulk of the Supporting artists. The team first go to work selecting the right people for the job by running our famous team PB bootcamp selection test days. Its quite simple. To earn a place on our bootcamp you need to demonstrate you have the right metal attitude and physical dexterity to work on a large scale production. If one man out of 500 can not keep up with the pack during a shoot, the whole shot can be ruined.

Once The selection is done we start with basic marching, Formations and tactics required for the scenes. In total 500 Supporting artists are trained. With all bootcamps overseas there will be language and culteral considerations. April is one of the driest months with tempatures ranging from 75 to 95 fahrenheit, dust storms in the afternoon and the majory of the supporting artists nearing the end of Ramadan 12th March to 10th April.

Week one 250 men split into three Company Groups.

Week 2 another 250 men.

Week three the best 300 with advance training in archery and artilery.

JOB DONE ON PHASE ONE.

Camp Malta.

The team then travelled to Malta.

To do it all again hundres of supporting artists put through their paces in order to get them match fit and ready for Ridley.

The AD Team with James looking a tad stressed at the start of Malta.

The Circle of Death.

Mission. Select and train supporting artists in the role of Praetorian guards. They’re to March out of the shadows and form a circle within the arena without any markers.

This was an important scene, and one Ridley wanted to get right in as little time as possible.

With 12 cameras watching, there was no room for mistakes.

Here’s the problem. The Colosseum is not a perfect circle. It is more an oval shape, and only 3/4 of the structure was built.

The SAs needed to make sure they did not overstep and  potentially overtake the main cast Paul Mescal, who would walk out to take his place in the arena. This meant paul would also need to make sure his pace was fast enough so as not to hold the SAs up for the scene to work.

Solution. Tallest guys at the furthest end. The Shortest at the Shortest section.

We started the training using sports markers, which we paced out to make an exact circle with the centre at the spot where the carriage would land.

Over time, we reduced the markers until each SA knew his mark without the need for them.

Each would count 12 paces on the left foot. With the shortest guys marking time for the first four paces before moving forward.

That way, everyone would meet in the circle at the same time. If you watch carefully, you will notice the pause in them moving forward.

The plan worked, and Ridley got his shot first time round, and the team got the Ridley thumbs up. (They don’t get dished out likely)

Then the writers and actors strikes it us, so the production went into Hiatus for a few months with a movie only half way filmed.

Once back up and running. More bootcamps for the new and to remind the old guard.

THE PEGASUS CONNECTION.

One of the perks of the job is to get something in from my old regiment inseted into a scene. Not always possible mainly due to copyright clearances of cap badges, and for Gladiator being set a few years before the birth of the Parachute Regiment, quite a feat, but managed it for Gladiator 2.

After some research I managed to find out the Third Augustan Legion in North Africa, used the Pegasus as their standard. So I convinced props and Ridley to use it for the opening battle, it stayed as the main standard through the movie.

Although slightly different from the Roman version The Pegasus was Introduced during the Second World War and recognised as a symbol of British Airborne Forces for many years.

I manaaged to get it in the The Day of the Jackal, but thats for another blog post.

Two former members of the Parachute Regiment and friends’ who live in Malta, Phil and Dave.



our final bootcamp

Camp Uk.

Then out of the blue a call to shot some additional footage in the UK in a location near Brighton beach. First Training hundres more Supporting artists at Shepperton Studios was required to get them match fit.

Job done.

Thank you to all the Supporting artist for your hard work and commitment.

link to a hint of future WORK

Exciting Opportunities in the Film and TV industry

Team PB have more opportunities for the right people. (Open to Ex Armed Forces based in the UK only)

As more productions start gearing up this year, more quality Military Technical Advisers are required on the team.

Team PB does not take anyone, and you will need to read a simple set of instructions before applying.

Most importantly, you must have worked on set as a supporting artist on at least three features and three TV productions. Six jobs in total. A list of some of the main extra agencies to join are at the bottom of this page.

Open to former members of HM forces only. (Proof of service required).

1. Must have good availability and can react to fastball call outs.

2. Willing to travel worldwide and for prolonged periods. Some overseas productions can last from eight weeks to six months.

3. Physically fit, no pie eaters, dodgy knees, or bungiee backs. If you can’t run with the pack and do the same, you’re asking cast or an SA to do. you’re not fit for task.

4. The ability to communicate at all levels and be respectful to others. The firm but fair approach.

5. Good work ethics. Trust and respect towards the production crew and the company providing you work opportunities.

6. The ability to read simple instructions and act on them without supervision, but also the ability to work unaided.

7. DBS check required.

8. Must understand the difference between making a documentary and drama.

Please read link for an insight into the job.

The Knowledge

Further reading Link

Jobs covered Link 

If you think you have what it takes, send your CV with a short intro about yourself and a current photograph to Pbactionextras@gmail.com

 

Good luck.

IMDB “Paul Biddiss – IMDb” https://m.imdb.com/name/nm7168922/

Facebook

Twitter

Casting agents to join.

Casting collective

Key casting

Two 10 casting

The Agency Behind the Action.

A few Behind the Scenes pictures from the Agency.

Selecting and training in Estonia and the UK.

Cast and supporting artists training in surveillance and weapons and tactics.

Selection and training supporting artists in Estonia.

The team flew out to Tallin, Estonia, to conduct the selection and training of the Estonian impressive supporting artists and to advise on the action scenes.

Uk shoot.

For the UK shoot, we travelled down to sunny Hankley  Common in Surrey. First, the team selected veterans who Team PB had previously trained to fill the roles of the US Delta Force rescue team.

Paul and Romano on the Estonian/ Russian border.

Job done.

Indiana Jones and the Dial of Destiny BTS

https://variety.com/2023/artisans/news/indiana-jones-james-mangold-battle-scenes-military-adviser-1235659268/

A few BTS photos and videos from Indiana Jones and the Dial of Destiny preparation. Team PB was approached to provide bootcamps for the opening WW2 scenes and Roman Army scenes.

At the time, Covid 19 protocols were still in force.

WW2 German scenes

The Roman Army

Team PB

Imdb

House of the Dragon season 2 BTS

A few behind the scenes pictures of the boot camp and filming of season 2 House of the Dragon.

Like all productions, Team PB works on, and whatever your opinions of the finished product are. It does not take away the hard work and dedication tje cast and crew put into these shows.

A big thanks to all the supporting artists who worked hard for us during the boot camps and filming.

Bootcamp.

Filming.

Hit the link for more information on up and coming productions.

The Ministry of Ungentlemanly Warfare BTS.

British Prime Minister Winston Churchill and a group of military officials hatch a daring plan to neutralize Hitler’s fleet of German U-boats during World War II. Made up of a motley crew of rogues and mavericks, the top-secret combat unit uses unconventional techniques to battle the Nazis and change the course of the war.

The film is inspired by true events and based on the declassified files of the British War Department, ‘The Ministry of Ungentlemanly Warfare. AKA the SOE and small-scale raiding force (SSRF).

The film is very loosely based on the book of the same name by war journalist Damien Lewis that narrates the recently declassified history of Winston Churchills top-secret department the SOE tasked with developing a fighting force trained in irregular warfare tactics to operate behind German lines and confuse, disrupt, terrorize, exhaust, and demoralize Hitler and his thugs.

Their methodology included all sorts of ungentlemanly things one really isn’t supposed to do in war: assassinations, black operations, bribery, corruption, money laundering, and much more.

For its own tactical inspiration, the SOE and one of its naval officers, Ian Fleming, pilfered lessons-learned from a range of then non-traditional warlords such as T.E. Lawerence, Michael Collins, and Al Capone. This was war with the gloves off.

Their audacious approach changed the course of the war and laid the foundation for the British SAS and modern Black Ops warfare.

Co-written and directed by Guy Ritchie, The Ministry of Ungentlemanly Warfare has a stellar cast including Henry Cavill, Eiza González, Alan Ritchson, Alex Pettyfer, Henry Golding, Hero Fiennes Tiffin, and Cary Elwes.

The real operation, Operation Postmaster, was very different to what’s portrayed on screen as I mentioned in Timeout

 

Obviously, the ‘Official’ post operation report on Postmaster recorded no enemy kills. The report is then buried and only surfaced in 2014, and a war movie with no kills is going to play more like a documentary, which would not be as entertaining for the majority. And movies are made for everyone to enjoy!

So, to the behind the scenes drama of filmmaking and the military advisor providing military solutions to theatrical problems.

Day raid over, night raid.

The background to this scene.

Originally scripted and planned to be a night shoot, but for logistical reasons out of the productions control, the scenes could only be shot during the day.
The MA is summoned to the director for a military solution to the problem.

I suggested two options.

A. The SOE are conducting a close target recce with the intention of a night raid.
Then they see members of the SS turn up, which mean the prisoner is either going to be relocated or shot, so they have to conduct a daylight raid.

B. The majority of the soldiers get on a truck to go to the local town after a bomb, planted by the team goes off as a diversionary tactic, so the camp is not fully maned, and so a daylight raid at that point would be a good idea.

The director went with solution A because he wanted loads of soldiers to get the good news when things got noisy.

I also managed to get Fillyourboots – FYBUK a quick mention.

The 007 draw.

During the fight choreography in the bunker scene, I went into the background of the fighting techniques used by the SOE with the stunt co-ordinator and cast.

As per the teachings of SOE instructor .fairbairn and sykes I encouraged  Allan Richardson to use the instinctive one hand, three, quarter hip draw.

Did you know?


The first actor to play James Bond on Dr. No. Sean Connery and his stunt double were trained in preparation for the role by weapons expert Geoffrey Boothroyd, who used the same training manuals

Cooking the Grenade.

Grenades have a second safety feature, which is a lever on the side of the main body, called the striker leaver or spoon, that is held in place by the pin. This spoon holds back a striker.

When you hold a grenade and pull the pin,, you do so in a way that keeps the spoon held down. When the spoon is released, the spring-loaded hammer strikes a primer and lights the fuse. The grenade then has an *approximate* 4–5 second fuse before the grenade detonates.

“Cooking” the grenade involves releasing the spoon, but holding onto the activated grenade for a few seconds, letting the fuse burn before throwing it, to limit the opportunity for an enemy to react to it or even throw it back.

Allan liked it!

Hollywood Magazines

One of my pet hates and something I will pester the cast to remember. Always try to get a magazine change during dialogue. Otherwise, the editor might squeeze it out to cut the time down.

For now, these are just a few examples of advice and problem solving given to production. 

Now, for some BTS pictures of the hard work and dedication from all the cast and crew. Enjoy!

The Maid of Honour.

The Harbour.

Big bangs.

Training.

The set visitor.

One of the fun jobs to work on

Link

My Lady Jane BTS

My Lady Jane is a British historical fantasy television series made for Amazon Prime Video starring Emily BaderEdward Bluemel and Jordan Peters. Produced by MacDonald & Parkes the television series is adapted by Gemma Burgess from a novel by Jodi Meadows, Brodi Ashton and Cynthia Hand that provided a historical reimagining of the life of Lady Jane Grey.

Team PB was approached to help with coordinating the military aspects of the show.

Here’s a few behind the scenes photos taken by Team PB member Romano Betts.

Want to join the team? Team PB